next > 

1


The Cold Embrace

by Mary E. Braddon

HE was an artist--such things as happened to him happen sometimes to artists.

He was a German--such things as happened to him happen sometimes to Germans.

He was young, handsome, studious, enthusiastic, metaphysical, reckless, unbelieving, heartless.

And being young, handsome and eloquent, he was beloved.

He was an orphan, under the guardianship of his dead father's brother, his uncle Wilhelm, in whose house he had been brought up from a little child; and she who loved him was his cousin--his cousin Gertrude, whom he swore he loved in return.

Did he love her? Yes, when he first swore it. It soon wore out, this passionate love; how threadbare and wretched a sentiment it became at last in the selfish heart of the student! But in its golden dawn, when he was only nineteen, and had just returned from his apprenticeship to a great painter at Antwerp, and they wandered together in the most romantic outskirts of the city at rosy sunset, by holy moonlight, or bright and joyous morning, how beautiful a dream!

They keep it a secret from Wilhelm, as he has the father's ambition of a wealthy suitor for his only child--a cold and dreary vision beside the lover's dream.

So they are betrothed; and standing side by side when the dying sun and the pale rising moon divide the heavens, he puts the betrothal ring upon her finger, the white and taper finger whose slender shape he knows so well. This ring is a peculiar one, a massive golden serpent, its tail in its mouth, the symbol of eternity; it had been his mother's, and he would know it amongst a thousand. If he were to become blind tomorrow, he could select it from amongst a thousa

 next > 

The Cold Embrace
by Mary Elizabeth Braddon

<< Return to Title Details