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eing blind, believed.

This is a tale of those old fears, even of those emptied hells, And none but you shall understand the true thing that it tells-- Of what colossal gods of shame could cow men and yet crash, Of what huge devils hid the stars, yet fell at a pistol flash. The doubts that were so plain to chase, so dreadful to withstand-- Oh, who shall understand but you; yea, who shall understand? The doubts that drove us through the night as we two talked amain, And day had broken on the streets e'er it broke upon the brain. Between us, by the peace of God, such truth can now be told; Yea, there is strength in striking root and good in growing old. We have found common things at last and marriage and a creed, And I may safely write it now, and you may safely read.

G. K. C.

CHAPTER I.

THE TWO POETS OF SAFFRON PARK

THE suburb of Saffron Park lay on the sunset side of London, as red and ragged as a cloud of sunset. It was built of a bright brick throughout; its sky-line was fantastic, and even its ground plan was wild. It had been the outburst of a speculative builder, faintly tinged with art, who called its architecture sometimes Elizabethan and sometimes Queen Anne, apparently under the impression that the two sovereigns were identical. It was described with some justice as an artistic colony, though it never in any definable way produced any art. But although its pretensions to be an intellectual centre were a little vague, its pretensions to be a pleasant place were quite indisputable. The stranger who looked for the first time at the quaint red houses could only think how very oddly shaped the people must be who could fit in to them. Nor when he met the people was he disappointed in this respect. The place was not only pleasant, but perfect, if once he could regard it not as a deception but rather as a dream. Even if the people were not "artists," the whole was nevertheless artistic. That young man with the long, auburn hair and t

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