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een fooling over, and which, truth to tell, are certainly freely rendered. There are not enough of them, but we'll do some more, and I'll add a brief Life of Horace as a preface or introduction."

It is to be regretted that Field never carried out his intention with respect to this last, for he had given much thought and study to the great Roman satirist, and what Eugene Field could have said upon the subject must have been of interest. It is my belief that as he thought upon the matter it grew too great for him to handle within the space he had at first determined, and that tucked away within the recesses of his literary intentions was the determination, nullified by his early death, to write, _con amore_, a life of Quintus Horatius Flaccus.

This determination to write separately an extended account of Horace greatly reduced the bulk of the material intended for the Sabine Echoes, and it was with respect to this that Field apologetically and, as was his wont, humorously wrote:

"The volume may be rather thin _in corpore_, but think how hefty it will be intellectually."

When it came to the discussion of how many copies should be printed it was suggested that the edition be an exceedingly limited one, in order to cause as much scrambling and heartburning as possible among our bibliophilic brethren. And never shall I forget the seriousness of the man's face, nor the roars of laughter that followed, when he suggested that fifty copies only should be made, and that we should reserve one each and burn the other forty-eight!

It was a biting cold night and we had been loitering by the way, stopping to debate each point as it arose--but now we plunged on with excess of motion to keep ourselves warm, breaking out with occasional peals of laughter as we thought of our plan to make the publication what the booksellers call "excessively rare."

Field, elsewhere, has said he did not know why the original intention as to the destruction of the forty-eight copies was not carried out, but t

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Echoes from the Sabine Farm, page 1
by Eugene Field

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