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the slender adventurer, gray-eyed and with queer bangs of hair obscuring his forehead, whose steely will, phenomenal ray-gun draw and reckless space-ship maneuverings combined to make him the period's most colorful figure. These qualities of his live again in the outlanders' reminiscences and also of course his score of blood-feuds and the one great feud that shook whole worlds in its final terrible settling--the feud of Hawk Carse and Dr. Ku Sui.

Again and again the paths of the adventurer and the sinister, brilliant Eurasian crossed, and each crossing makes a rich tale. Time after time Ku Sui, through his several bands of space-pirates, his individual agents and his ambitious web of power insidiously weaving over the universe, whipped his tentacles after the Hawk, and always the tentacles coiled back, repulsed and bloody. An almost typical episode is in the affair which followed what has been called the Exploit of the Hawk and the Kite.

It will be remembered--as related in "Hawk Carse"[1]--that Dr. Ku laid a most ingenious trap for Carse on the latter's ranch on Iapetus, eighth satellite of Saturn. Judd the Kite, pirate and scavenger, was the Eurasian's tool in this plot, which started with a raid on the ranch. The fracas which followed the Hawk's escape from the trap was bloody and grim enough, and resulted in the erasure of Judd and all his men save one; but the important thing to the following affair was that Judd's ship, the Scorpion, fell into Carse's hands with one prisoner and the ship's log, containing the space coordinates for a prearranged assignation of Judd with Ku Sui.

[1] See the November, 1931, issue of Astounding Stories.

All other projects were postponed by the Hawk at this opportunity to meet Dr. Ku face to face. The trail of the Eurasian was the guiding trail of his life, and swiftly he moved along it.

There was work to be done before he could set out. Three men had emerged alive from the clash between the Hawk and the Kite: Carse himself, Friday, his gigan

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The Affair of the Brains, page 1
by Anthony Gilmore

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