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most morbid cast which astonished the tutors surrounding him. Perhaps his private education and coddled seclusion had something to do with his premature flowering. An only child, he had organic weaknesses which startled his doting parents and caused them to keep him closely chained to their side. He was never allowed out without his nurse, and seldom had a chance to play unconstrainedly with other children. All this doubtless fostered a strange secretive life in the boy, with imagination as his one avenue of freedom.

At any rate, his juvenile learning was prodigious and bizarre; and his facile writings such as to captivate me despite my greater age. About that time I had leanings toward art of a somewhat grotesque cast, and I found in this younger child a rare kindred spirit. What lay behind our joint love of shadows and marvels was, no doubt, the ancient, mouldering, and subtly fearsome town in which we live - witch-cursed, legend-haunted Arkham, whose huddled, sagging gambrel roofs and crumbling Georgian balustrades brood out the centuries beside the darkly muttering Miskatonic.

As time went by I turned to architecture and gave up my design of illustrating a book of Edward's demoniac poems, yet our comradeship suffered no lessening. Young Derby's odd genius developed remarkably, and in his eighteenth year his collected nightmare-lyrics made a real sensation when issued under the title Azathoth and Other Horrors. He was a close correspondent of the notorious Baudelairean poet Justin Geoffrey, who wrote The People of the Monolith and died screaming in a madhouse in 1926 after a visit to a sinister, ill-regarded village in Hungary.

In self-reliance and practical affairs, however, Derby was greatly retarded because of his coddled existence. His health had improved, but his habits of childish dependence were fostered by over-careful parents, so that he never travelled alone, made independent decisions, or assumed responsibilities. It was early seen that he would not be equal to a struggle in the

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