3
eat value--Curious anecdote of a sailor and a tulip--Regular marts for tulips--Tulips employed as a means of speculation--Great depreciation in their value--End of the mania
THE ALCHYMISTS.
Introductory remarks--Pretended antiquity of the art--Geber--Alfarabi--Avicenna--Albertus Magnus--Thomas Aquinas--Artephius--Alain de Lisle--Arnold de Villeneuve--Pietro d'Apone--Raymond Lulli--Roger Bacon--Pope John XXII.--Jean de Meung--Nicholas Flamel--George Ripley--Basil Valentine--Bernard of Trèves--Trithemius--The Maréchal de Rays--Jacques Coeur--Inferior adepts--Progress of the infatuation during the sixteenth and seventeenth centuries--Augurello--Cornelius Agrippa--Paracelsus--George Agricola--Denys Zachaire--Dr. Dee and Edward Kelly--The Cosmopolite--Sendivogius--The Rosicrucians--Michael Mayer--Robert Fludd--Jacob Böhmen--John Heydon--Joseph Francis Borri--Alchymical writers of the seventeenth century--Delisle--Albert Aluys--Count de St. Germain--Cagliostro--Present state of the science
MODERN PROPHECIES.
Terror of the approaching day of judgment--A comet the signal of that day--The prophecy of Whiston--The people of Leeds greatly alarmed at that event--The plague in Milan--Fortune-tellers and Astrologers--Prophecy concerning the overflow of the Thames--Mother Shipton--Merlin--Heywood--Peter of Pontefract--Robert Nixon--Almanac-makers
FORTUNE-TELLING.
Presumption and weakness of man--Union of Fortune-tellers and Alchymists--Judicial astrology encouraged in England from the time of Elizabeth to William and Mary--Lilly the astrologer consulted by the House of Commons as to the cause of the Fire of London--Encouragement of the art in France and Germany--Nostradamus--Basil of Florence--Antiochus Tibertus--Kepler--Necromancy--Roger Bacon, Albertus Magnus, Arnold Villeneuve--Geomancy--Augury--Divination: list of various species of divination--Oneiro-criticism (interpretation of dreams)--Omens
THE MAGNETISERS.
The influence of imagination in curing
Memoirs of Extraordinary Popular Delusions and the Madness of Crowds, page 2
by Charles MacKay