2
r half with hard dark plastic lying slack against the shell.
Gonzales rubbed his hands across his eyes, then pulled his hair back into a long hank and slipped a circle of elastic over it. He reached to his waist and grabbed the bottom hem of his navy blue t-shirt and pulled the shirt over his head. Dropping it to the floor, he kicked off his shoes, stepped out of baggy tan pants and loose white cotton underpants and stood naked, his pale skin gleaming with a light coat of sweat. His skin felt hot, eyes grainy, stomach sore.
He stepped up and into a chrome half-egg, then shivered and lay back as body-warmth liquid bled into the slack plastic, which began to balloon underneath him. He took hold of finger-thick cables and pushed their junction ends home into the sockets set in the back of his neck. As the egg continued to fill, he fit a mask over his face, felt its edges seal, and inhaled. Catheters moved toward his crotch, iv needles toward the crooks of both arms. The egg shut closed on him and liquid spilled into its interior.
He floated in silence, waiting, breathing slowly and deeply as elation punched through the chaotic mix of emotions generated by drugs, meditation, and the egg. No matter that he was going to relive his own terror, this was what moved him: access to the many-worlds of human experience--travel through space, time, and probability all in one.
Virtual realities were everywhere--virtual vacations, sex, superstardom, you name it--but compared to the egg, they were just high-res videogames or stage magic. VRs used a variety of tricks to simulate physical presence, but the sensorium could be fooled only to a certain degree, and when you inhabited a VR, you were conscious of it, so sustaining its illusion depended on willing suspension of disbelief. With the egg, however, you got total involvement through all sensory modalities--the worlds were so compelling that people waking from them often seemed lost in the waking world, as if it were a dream.
A needle punched