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40

so; and all the girls, far and near, daughters of the nobility, as well as those of the citizens of Nuremberg, loved the fine-looking Burgrave of Nuremberg, who was the ancestor of the House of Hohenzollern. But the noble Count Albert loved only one young lady, beautiful Beatrice of Hainault, and would marry none but her. The Countess Cunigunda of Orlamunde, however, was not aware of this, and sent him a message, asking him whether he would not like to marry her. She would give him, besides her hand, the splendid Plassenburg and all her other property. Burgrave Albert the Handsome smiled when he heard the message; shrugging his shoulders, he said: 'Tell your countess I regard her as very amiable, and should like to marry her, provided four eyes were not in existence. But as it is, I cannot do so.' The burgrave referred to the eyes of his parents, who did not like the Countess of Orlamunde, and he wished to make them responsible for his refusal, so as not to offend the beautiful widow. But Cunigunda interpreted the words differently, and thought the four eyes, which the Burgrave said were in the way of their marriage, were those of her two children. She loved the handsome Burgrave so intensely, that she henceforth hated the children, because she believed them to be the sole obstacles to her marriage. The Evil One and her passion whispered into her ear, 'Go and kill your children.' So Cunigunda rose from her couch; in a long white night-dress, her head covered with a black veil, she crept to the bed of her children, and, drawing from her raven hair a long golden pin, set with precious stones (a gift which she had once received at the hands of Burgrave Albert), she pierced the heads of her children, penetrating the brain to the vertebra."

"Medea!" ejaculated Napoleon, staring into the fire. "This, then, is the history of the Medea of the Hohenzollern."

"No, sire, the name of the countess was not Medea, but Cunigunda," said Schluter, respectfully.

Napoleon smiled. "Proceed," he said.

"On

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Napoleon and Blucher, page 39
by Louisa Mühlbach

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