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TINY SCRATCH III. TANGLED MOTIVES IV. THE FATAL SCRIPT V. AN EMOTIONAL MAZE VI. THE FIRST CLUB VII. ENID FAYE VIII. LAWRENCE MILLARD IX. WHITE-LIGHT SHADOWS X. CHEMICAL RESEARCH XI. FORESTALLED XII. EMERY PHELPS XIII. MARILYN LORING XIV. ANOTHER CLUE XV. I BECOME A DETECTIVE XVI. ENID ASSISTS XVII. AN APPEAL XVIII. THE ANTIVENIN XIX. AROUND THE CIRCLE XX. THE BANQUET SCENE XXI. MERLE SHIRLEY OVERACTS XXII. THE STEM XXIII. BOTULIN TOXIN XXIV. THE INVISIBLE MENACE XXV. ITCHING SALVE XXVI. A CIGARETTE CASE XXVII. THE FILM FIRE XXVIII. THE PHOSPHORUS BOMB XXIX. MICROSCOPIC EVIDENCE XXX. THE BALLROOM SCENE XXXI. PHYSOSTIGMIN XXXII. CAMERA EVIDENCE
THE FILM MYSTERY
I
A CAMERA CRIME
"Camera!"
Kennedy and I had been hastily summoned from his laboratory in the city by District-Attorney Mackay, and now stood in the luxurious, ornate library in the country home of Emery Phelps, the banker, at Tarrytown.
"Camera!--you know the call when the director is ready to shoot a scene of a picture?--well--at the moment it was given and the first and second camera men began to grind--she crumpled--sank to the floor--unconscious!"
Hot and excited, Mackay endeavored to reenact his case for us with all the histrionic ability of a popular prosecutor before a jury.
"There's where she dropped--they carried her over here to this davenport--sent for Doctor Blake--but he couldn't do a thing for her. She died--just as you see her. Blake thought the matter so serious, so alarming, that he advised an immediate investigation. That's why I called you so urgently."
Before us lay the body of the girl, remarkably beautiful even as she lay motionless in death. Her masses of golden hair, disheveled, added to the soft contours of her features. Her wonderfully large blue-gray eyes with their rare gift for delicate shades of expression were closed, but long curling lashes swept her cheeks still and it was hard to believe that this was anything more than sleep.
It was inconceivable that Stell