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3

I decided also that the goal of writing the novel was the actual writing of it -- not the selling of it, which is usually the goal of a novelist. I didn't want to worry about whether it was good enough to sell; I just wanted to have the experience of writing a story over the length of a novel, and see what I thought about it. Not every writer is a novelist; I wanted to see if I was.

Making these two decisions freed me from a lot of the usual angst and pain that comes from writing a first novel. This was in all respects a "practice" novel -- a setting for me to play with the form to see what worked, and what didn't, and what I'd need to do to make the next novel worth selling.

It worked. I picked a fun, humorous story -- aliens from another world decide to get an agent -- and I just let it take me where it wanted to go. I banged out the chapters on the weekends, using the weekdays to let my mind figure out what to do next. The writing was fun, and for the most part it was easy, and in three months, the whole thing was done (and just in time for my high-school reunion).

Once the novel was finished, I decided, what the heck, I might as well try to sell it. This was not particularly successful. The agents I shopped it to liked the writing, but said humorous SF was hard place; the publishers liked the writing but said humorous SF was hard to sell. I wasn't terribly put out about this; this was a practice novel, after all. But on the other hand I thought it was good enough to let other people see it.

So in early 1999, I decided to put it online as a "shareware novel." The premise was simple: People could read it, and if they liked it, they could send me a dollar, or whatever sum they liked (even if that sum was zero). If they didn't like it, well, clearly, they wouldn't have to send me anything. It was a no-risk proposition for the reader. I didn't expect to see a dime from it, but as it turns out, over five years I made about $4,000 (well, I think it was about that much. I stopped count

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Agent to the Stars, page 2
by John Scalzi

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