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its were handed down to posterity with a thousand exaggerations; they were repeated as incitements to virtue; divine honours were paid, and altars erected to his memory, for the encouragement of those who attempted to imitate his example; and hence arose the heathen mythology, which is no other than a collection of extravagant romances. As learning advanced, and genius received cultivation, these stories were embellished with the graces of poetry, that they might the better recommend themselves to the attention; they were sung in public, at festivals, for the instruction and delight of the audience; and rehearsed before battle, as incentives to deeds of glory. Thus tragedy and the epic muse were born, and, in the progress of taste, arrived at perfection. It is no wonder that the ancients could not relish a fable in prose, after they had seen so many remarkable events celebrated in verse by their best poets; we therefore find no romance among them during the era of their excellence, unless the Cyropaedia of Xenophon may be so called; and it was not till arts and sciences began to revive after the irruption of the barbarians into Europe, that anything of this kind appeared. But when the minds of men were debauched by the imposition of priestcraft to the most absurd pitch of credulity, the authors of romance arose, and losing sight of probability, filled their performances with the most monstrous hyperboles. If they could not equal the ancient poets in point of genius. they were resolved to excel them in fiction, and apply to the wonder, rather than the judgment, of their readers. Accordingly, they brought necromancy to their aid, and instead of supporting the character of their heroes by dignity of sentiment and practice, distinguished them by their bodily strength, activity, and extravagance of behaviour. Although nothing could be more ludicrous and unnatural than the figures they drew, they did not want patrons and admirers; and the world actually began to be infected with the spirit of knight-errantry, when Cerv
The Adventures of Roderick Random, page 1
by Tobias Smollett