2
OF MAN 115
THE WRITING OF ESSAYS 120
THE PARKES MUSEUM 124
BLEAK MARCH IN EPPING FOREST 128
THE THEORY OF QUOTATION 132
ON THE ART OF STAYING AT THE SEASIDE 135
CONCERNING CHESS 140
THE COAL-SCUTTLE 145
BAGARROW 150
THE BOOK OF ESSAYS DEDICATORY 155
THROUGH A MICROSCOPE 159
THE PLEASURE OF QUARRELLING 164
THE AMATEUR NATURE-LOVER 169
FROM AN OBSERVATORY 174
THE MODE IN MONUMENTS 177
HOW I DIED 182
CERTAIN PERSONAL MATTERS
THOUGHTS ON CHEAPNESS AND MY AUNT CHARLOTTE
The world mends. In my younger days people believed in mahogany; some of my readers will remember it--a heavy, shining substance, having a singularly close resemblance to raw liver, exceedingly heavy to move, and esteemed on one or other count the noblest of all woods. Such of us as were very poor and had no mahogany pretended to have mahogany; and the proper hepatite tint was got by veneering. That makes one incline to think it was the colour that pleased people. In those days there was a word "trashy," now almost lost to the world. My dear Aunt Charlotte used that epithet when, in her feminine way, she swore at people she did not like. "Trashy" and "paltry" and "Brummagem" was the very worst she could say of them. And she had, I remember, an intense aversion to plated goods and bronze halfpence. The halfpence of her youth had been vast and corpulent red-brown discs, which it was folly to speak of as small change. They were fine handsome coins, and almost as inconvenient as crown-pieces. I remember she corrected me once when I was very young. "Don't call a penny a copper, dear," she said; "copper is a metal. The pennies they have nowadays are bronze." It is odd how our childish impressions cling to us. I still regard bronze as a kind of upstart intruder, a mere trashy pretender among metals.
All my Aunt Charlotte's furniture was thoroughly good, and most of it extremely uncomfortable; there was not a thing for