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nd it had been adopted in the neighbouring dioceses as a regular habit, as indeed it continued throughout the Western Church during the fourteen subsequent centuries.

One great procession was formed by different bands. The children were in two troops, a motley collection of all shades; the deep olive and the rolling black eye betraying Ethiopian or Moorish slave ancestry, the soft dark complexion and deep brown eye showing the Roman, and the rufous hair and freckled skin the lower grade of Cymric Kelt, while a few had the more stately pose, violet eye, and black hair of the Gael. The boys were marshalled with extreme difficulty by two or three young monks; their sisters walked far more orderly, under the care of some consecrated virgin of mature age. The men formed another troop, the hardy mountaineers still wearing the Gallic trousers and plaid, though the artisans and mechanics from the town were clad in the tunic and cloak that were the later Roman dress, and such as could claim the right folded over them the white, purple-edged scarf to which the toga had dwindled.

Among the women there was the same scale of decreasing nationality of costume according to rank, though the culmination was in resemblance to the graceful classic robe of Rome instead of the last Parisian mode. The poorer women wore bright, dark crimson, or blue in gown or wrapping veil; the ladies were mostly in white or black, as were also the clergy, excepting such as had officiated at the previous Eucharist, and who wore their brilliant priestly vestments, heavy with gold and embroidery.

Beautiful alike to eye and ear was the procession, above all from a distance, now filing round a delicate young green wheatfield, now lost behind a rising hill, now glancing through a vineyard, or contrasting with the gray tints of the olive, all that was incongruous or disorderly unseen, and all that was discordant unheard, as only the harmonious cadence of the united response was wafted fitfully on the breeze to the two elderly men who, u

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More Bywords, page 1
by Charlotte Mary Yonge

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